Amid its fragmented glory, connected television (CTV) continues to grow its share of our time with TV, eclipsing traditional TV viewing beginning in Q1 20251. And while content libraries grow and distribution channels multiply, sports have become the hottest commodity across the landscape, with SVOD services, FAST channels and other CTV channels vying for a piece of the action.
From a streaming perspective, the five global SVOD services tracked in Gracenote’s Data Hub grew their sports catalogs by 52% year-over-year, with competition programming (games, matches, tournaments, etc.) accounting for the bulk of the increase. Given the linear, scheduled nature of FAST channels, the annual increase in sports programming was more moderate, but it still increased by nearly 15%. On FAST channels, competitions account for 96% of all sports programming. On SVOD, they account for 34.5%.
It’s worth noting that not all competition programming is new and live. Several SVOD services have extensive back catalogs of archival league competitions, including Disney+ and Paramount+. The same is true across the FAST landscape, as league-operated channels (e.g., NFL, NBA, UFC) distribute a mix of recent and historical game and match replays.
65% of TV viewers are likely to pay for a service because of its live sports offerings
And while sports content remains a very small component of all that’s available across the streaming landscape, the increases are noteworthy and lucrative, given the massive appeal among TV viewers. In fact, 65% of TV viewers2 say they’re likely to pay for a service because of its live sports offerings.
Across global SVOD services, Paramount+ grew its catalog the most at the individual program level, increasing its programming by nearly 220% over the past year. The increase represents a mix of NFL and NCAA football games that air on CBS, all UFC events, UEFA Champions League and other European knockout games, PGA events that air on CBS and the addition of archival UFC fights and top European league soccer matches.
Apple TV grew its sports content by nearly 30%, followed by Amazon Prime and Netflix, at 14.7% and 10.4%, respectively. On the flipside, Disney+ reduced its sports catalog by 22.5% over the same period. Much of the reduction reflected the removal of UFC programming following the end of the distribution deal between TKO Group and ESPN. Paramount+ became the new home to UFC in January 2026, kicking off a new seven-year deal with TKO that trades the previous pay-per-view structure for a straight subscription model.
The growing competition for sports rights among providers has further fragmented distribution, as three of the five SVOD providers are now vying for the biggest share of sports programming. Notably, Amazon Prime and Netflix have each grown their respective shares of the programming on SVOD services. Comparatively, the removal of the UFC programming from Disney+ at the end of the year reduced the platform’s share of sports content to less than one quarter.
Sports programming is also gaining ground across free ad-supported streaming TV (FAST), as the number of sports channels increased nearly 12% year-over-year. Perhaps more noteworthy, however, is the fact that competition events represent 96% of the sports programming distributed across global FAST channels.
More importantly, however, is the amount of competition programming that’s new and live. In fact, the amount of live games accounted for more than one-third of all sports programming on FAST channels between August and November 2025.
While sports programming continues to rise across the streaming landscape, the distribution strategies for live games across SVOD and FAST are notably different:
While a rich source of entertainment for audiences, the immense amount of content available, combined with the ongoing migration of sports to streaming services, does come with certain risks, especially through the lens of consumer enjoyment. Fifty-three percent of U.S. TV viewers feel overwhelmed by the amount of streaming video services and content available, and 32% say it’s having a negative impact on their TV experience2.
The congestion, magnified by the lack of a universal scheduling guide, amplifies frustrations about how to find specific programs, especially live sports. In fact, a recent Gracenote survey found that two-thirds of viewers want their service of choice to be able to tell them where to find a specific program, including sports, even if it’s on a different service.
The important takeaway here is that content will always reign supreme, but only if the audience knows where to find it.
For additional streaming data and insight, visit the Gracenote Data Hub.
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This year, across all categories, Netflix, Apple, A24 and NEON have secured a total of 53 nominations across 17 films.
Despite their roots in the U.S., the five global SVOD services tracked in the Gracenote Data Hub offer more global content than U.S. content.
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