Most Best Picture nominees are “emotional”, “fun”, “powerful” or “tense.”
The availability of content in more than one place reflects a shift in TV content distribution strategies.
In the crowded horror genre, modern metadata can help streaming services scare the right audiences.
Learn how metadata normalization and enrichment can power better FAST experiences.
Seven of this year’s Eurovision songs fall into the “energizing” mood category.
This year’s Best Picture nominees break a trend we’ve seen in five of the last six Best Picture winners.
The 2022 Seen on Screen report provides a benchmark for measuring diverse representation on TV.
Gracenote data provides insight into the emotions of the musical competitors in the Eurovision Song Contest.
An increasing amount of TV content is being developed for streaming services.
Given that humans are visual creatures, user experience is largely driven by what we see—not what we read.